we are so back
Lido - Everything
i'll do a little revising of what i already wrote on rym:
this album was BIG to me when it came out but haven't listened to it since like 2017 maybe. it randomly came back in my mind last night so i decided to see if it was still as good as i remembered. i admit it is
ridiculously corny in some places (i almost broke out laughing at some of the vocals and lyrics) but i can't help but admire it. Murder, Crazy, Citi Bike, the whole bridge section of Falling Down and the last track are incredible. jaden smith. also holy fuck the 808's & Heartbreak influence is way more obvious than i thought? like he is just straight up ripping off those sounds at some points. i miss when that man meant something to people. all in all this album, albeit being pretty average future bass, was pretty good at making EDM the last thing it wants to be (a high concept album).
Yasuaki Shimizu - Music for Commercials
nothing matches the start of january like Kankyo motherfucking Ongaku. like the title suggests these were tiny ditties composed as background music for 80's japanese commercials and were never intended to be consumed outside of their original context, but somehow on their own they have a striking beauty to them. apparently OPN references this album a lot. i put this on in the background while doing some work and it makes for perfect background music. Seiko 3 is beautiful and if there's any track that should be checked out it's that one. dude was off the goofy juice when composing the Bridgestone tracks.
Jane Remover - β‘
i had only been slightly interested and kinda "cool, but whatever" about jane up until this ep came out, but ever since it has i've been all in. genuinely no piece of music in a while has filled me with as much hope and life as this ep has, i have found myself almost tearing up multiple times at tracks like So What, Music Baby or Dream Sequence. a pinnacle of pop music in this generation. that's really all i have to say about it. if there is an album to come with this in 2026 then i gotta prepare for Music Society to change.

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