
Image by bepmp3
Time for the the sixth instalment in the "Skrillex Book Club".
ICYMI, we're taking a listening journey through the discography of the great Sonny Moore and sharing some of our thoughts along the way.
Last week, we looked at the Leaving EP.
This week, we go outside for...
Recess (2014)
The first full-length album effort from Skrillex (no, we're not counting the Spring Breakers soundtrack). What an odd one it is. Skrillex had fully infiltrated the mainstream at this point and dub/brostep had dug its claws into the cultural zeitgeist. And what a piece of that zeitgeist this is. This has got to be one of the most 2014 albums to ever exist. In terms of both auditory and visual aesthetic (just watch the album teaser). Emojis, ""gaming"", green screen explosions. This album sounds like playing Black Ops II. This album is where the brostep descriptor is probably most apt in my eyes. I often say Linkin Park's Hybrid Theory is an album that sounds like it was made with the intent to be used in crusty 2000s AMVs (even separated from the reality that yes, they were used for that). This album is like that but for trickshot compilations.
In the most loving way possible, this album is kind of a mess. There isn't much in the way of a musical through-line that connects anything. This is the most "collection of tracks" Skrillex project up to this point (aside from Leaving, I suppose). That doesn't necessarily make it bad though. Luckily, even the weakest songs on here aren't any worse than what I'd call purely mid. Where it hits, it Hits. I think some of the best Skrillex drops happen in this album. Second drop in 'Try It Out', oaaaaghhh. 'Ragga Bomb'? Absolutely disguuuusting. 'All Is Fair In Love And Brostep' is one of those tracks that sounds like it shouldn't exist outside the confines of an MLG edit, but I'd be lying if I said it wasn't hard. I do still think that the title track should've been the opener though (R.I.P. Fatman Scoop
This album is probably most interesting when it strays away from the more typical brostep sound. Which is funny because that was one of the big complaints I saw when it came out. You can see the refinement in production skills more clearly on the bass-centric or more hybrid trap style tracks. There's very clear rhythmic focus in tracks like 'Stranger' and the bass is just massive. Same with 'Dirty Vibe' which was one of my favourite tracks when I was younger (ignoring Diplo, fuck you Diplo). That song honestly so good I didn't even notice half of it was in Korean when I first heard it. 'Doompy Poomp' (which I didn't know had a really good music video, also the unexpected #JeSuisCharlie in the description???) is such a fun and goofy song that you can't help but love it. Unlike 'Coast Is Clear' which is fun but has Chance The Rapper. 'Fire Away' is a nice enough closer and while I don't find it super interesting, I could never hate on a Sonny vocal track.
Looking back, Recess is equal parts Skrillex album and cultural artifact. I was in 7th grade when this came out which was when I got my first turntable and started delving into the sounds of the 80s through my dad's old record collection. I mean really into the 80s. Enough that a teacher at my school who wasn't even my own gave me records from her collection as a parting gift that year. I still listened to this album when it came out and liked it well enough but Skrillex and brostep were very slowly starting to move into my rear view. This album was almost like its own parting gift in that sense, I just didn't realize it at the time.
Now it's your turn!
What are your thoughts on this album? Do you love it/hate it? Have you even heard it? (if not, go listen, the image is a link to it's RYM page)
Speak your mind!

